Jennifer Letchet Paintings

My work explores fundamental elements of painting, the relationship between colour and line. I intend my paintings to affect the viewer optically with the illusion of shapes moving and receding. Colour theory is very important to my work. I use specific hues to symbolise ideas or emotions. The contained shapes on canvases seem more like objects than lines. My recent work explores natural and man-made disasters and the impact this has on our environment. I want to record the changing landscape through simplified shapes and colours.

Tuesday, 22 October 2013

Review: Endless Stair at Tate Modern 06.10.13

The Endless Stair designed by Alex de Rijke is made of 187 stairs and 436 metres of interlocking paths beside The Thames. 

De Rijke has designed this piece using 11.4 tonnes of American tulipwood, an abundant material which he predicts will be the dominant building material of the 21st century. He called it 'the new concrete’. 

From a distance this piece is visually impressive, and for anyone who saw Labyrinth with David Bowie, an absolute dream. 

The dream unfortunately dies as you step on Endless Stair. It soon becomes apparent your interaction options are fairly limited and due to the high volumes of visitors, the experience is more akin to queuing on the Underground. My excitement was fairly shortlived, and despite admiring the concept and design from a distance, I was unable to revel in the materials and form up close. 

Therefore, this piece works better as a sculpture or a photograph, but fails as an example of design or even as an installation piece. 

I think they call this Marmite Art. Unfortunately, I have more hate, than love for it.

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